In a time of easy distraction, the idea of heading into a cabin at the edge of the world to create is alluring. Bon Iver's 2020 tour has been rescheduled - full statement from the band below: "It is with great care and empathy to all involved that we announce the rescheduling of the below tour dates in Australia and New Zealand to March / April 2021. Buy Now from $60.00. Buy Now from $40.00. Since that album's release, Vernon's approach to writing and recording has changed. The structure is flawless right up to its conclusion, "Beth/Rest", which has been much remarked upon for its unabashed and unironic embrace of 80s adult contemporary pop sounds. His voice is earthy and wounded and, despite his astonishing upper register, not something you would describe as "angelic. But more importantly, no one else sounds like him. And there's an uncanny moment on the breathtaking "Michicant", a song in part about childhood, where a bicycle bell rings twice, pulling you deeper into Vernon's reverie. Freed from conventional verse/chorus/bridge/chorus structure, the songs become more like tone poems, patient explorations of moods that proceed deliberately but unpredictably. All previously purchased tickets will be valid for these rescheduled dates; remaining tickets will go on sale on Thursday, 30 April at 11:00 AM local. The evocative nature of his diction is apparent even in a simple line like "I was not magnificent." Bon Iver is about flow, from one scene and arrangement and song and memory and word into the next-- each distinct but connected-- all leading to "Beth/Rest". "Part of me, apart from me," Vernon sings early on, and those six words hold a lot. His belief in himself and in the power of his music is something that encourages us to transcend labels and preconceptions. There's something irresistible about the thought of a bearded dude from small-town Wisconsin retreating, heartbroken, to a cabin to write some songs-- especially when the result is a record that sounds as hushed and introspective as Bon Iver's 2007 debut, For Emma, Forever Ago. Led by Justin Vernon, the tour represents Bon Iver’s first visit to Australia since the outfit headlined VividLIVE in 2016, selling out four Sydney Opera House Concert Halls. Bon Iver ii Bumper Sticker. ", "Holocene" contains one of this album's many virtuosic vocal performances. The core band for the i,i sessions included Sean Carey, Andrew Fitzpatrick, Mike Lewis, Matt McCaughan, and Justin Vernon with Rob Moose and Jenn Wasner, plus contributions from James Blake, Brad and Phil Cook, Aaron and Bryce Dessner, Bruce Hornsby, Channy Leaneagh, Naeem Juwan, Velvet Negroni, Marta Salogni, Francis Starlite, Moses Sumney, TU Dance, and many others. Yet, heard in context, it stands as one the record's bravest and most deftly executed moments-- not just because it lays bare Vernon's stated admiration for artists like Bonnie Raitt and Bruce Hornsby, but because it's executed to perfection. Led by Justin Vernon, the tour represents Bon Iver’s first visit to Australia since the outfit headlined VividLIVE in 2016, selling out four Sydney Opera House Concert Halls. Buy Now $10.00. And the deeper you sink into these tracks, the harder it becomes to extract specifics. This line might end up on Justin Vernon's tombstone. Handsome Tours is proud to announce that BON IVER will return to Australia and New Zealand in June 2021 with a spectacular arena show in support of their latest, highly-acclaimed album i, i. In August last year, Bon Iver released their fourth studio album i,i, garnering an ecstatic response. On the way there, the music moves like a river, every bend both unpredictable and inevitable as it carves sound and emotion out of silence. Where "Beach Boys harmonies" have a spiritual undercurrent that brings to mind a choirboy's dream of perfection, Vernon sounds like a man who has outgrown such ideas. Bon Iver is the name singer/songwriter Justin Vernon chose for his solo project when he retreated to a cabin in Wisconsin during 2006. "I don't find inspiration by just sitting down with a guitar anymore," he recently told Pitchfork. Buy Now $5.00. Singles from the album went straight onto global streaming and radio playlists whilst Justin Vernon and the band opened up more than ever before with in-depth interviews from Pitchfork, Zane Lowe, Annie Mac, Q and Uncut. That difference is clear on Bon Iver. i,i completes a cycle: from the winter of For Emma, Forever Ago came the frenetic spring of Bon Iver, and the unhinged summer of 22, A Million. Blending natural instrumentation supplied by recruited players-- such as string arranger Rob Moose (Antony and the Johnsons, the National, Arcade Fire) and a horn/woodwind section that includes versatile saxophonist Colin Stetson-- with an array of electronic and treated sounds, the album combines varied textures in ways that are ambitious and unusual but often subtle enough to miss on first glance. It's a simple, brief effect, but it's indicative of how the album uses elemental sounds in unexpected ways. Now that we've heard him singing hooks with Kanye West and taking the lead with Gayngs on songs that touch on R&B and soft rock, the general sphere of Vernon's voice is clear. Vernon has taken that voice, and these arrangements, and crafted an album that unfolds like a suite. Featuring a full band and immersive new production, these shows will be their most ambitious Australian shows to date - unlike anything fans have seen before. All rights reserved. Recorded mostly at Sonic Ranch in Texas, i,i finds Bon Iver's Justin Vernon in a calmed creative state that he channels into the heart of each of the album’s 13 songs. The album is composed of 10 songs and was seen as a new musical direction for the band. After the closeness and austerity of For Emma, Vernon has given us a knotty record that resists easy interpretation but is no less warm or welcoming. Justin's Vernon's project started out low-key and largely solo but has grown into an expansive and ambitious full-band affair with brilliant results. And Bon Iver, with its rich and layered arrangements, extends that development in a striking direction that's both logical and surprising. "I wanted to build a sound from scratch and then use that sound to make the song." 05.11.20 PDLIF . Which makes sense, because the album deals with escape and the struggle to get outside yourself. Bon Iver is about flow, from one scene and arrangement and song and memory and word into the next-- each distinct but connected-- all leading to … He sounds centered and clear while taking stock and allowing memories to be mixed in with the details of the present. One recurring element is intoxication-- lines about being drunk or high that come with recounted details. And while the production attempts to wring something new from a long-maligned sound, the song and voice remain true to Bon Iver as an idea. i,i Album + Album Poster + Pin Pack. It's almost naive of Vernon to think he could pull this off. His conflicted vocals trigger a half-dozen feelings all at once before releasing the tension with a refrain that finds the fleeting moment where the world seems right: "I could see for miles, miles, miles.". These days, Vernon is more likely to poke fun at the image, but it endures because it fulfils a fantasy for us as listeners. It's a rare thing for an album to have such a strong sense of what it wants to be. But there are connections. © 1999-2020 Ticketmaster. As a closer, "Beth/Rest" is more about finding comfort and resolution after a musical experience that asked more questions than it answered. The guy who recorded an album alone in the woods. You can feel it even as you don't completely understand it-- a testament to its careful construction and Vernon's belief in the power of music to convey deeper meaning. Pitchfork is the most trusted voice in music. By tying the intimacy of that image to Justin Vernon's music, we're able to take the trip with him. The holistic style is evident on opener "Perth", which builds from total silence into a crashing peak over the course of four short minutes. Handsome Tours is proud to announce that BON IVER will return to Australia and New Zealand in June 2021 with a spectacular arena show in support of their latest, highly-acclaimed album i, i.. But the thread between this album and its comparatively skeletal predecessor is Vernon's voice, an instrument that feels warm and personal and close regardless of setting. And rather than being tied together by a central theme of loss, Vernon has fully shifted into a more impressionistic mode; these songs are broader and more musically sophisticated than those on For Emma at every turn. In an effort to provide direct support to health providers working on the frontline of the pandemic, we've released a brand-new track called "PDLIF" on digital services. At points, Bon Iver draws on the experiments of Volcano Choir, Vernon's side project with the post-rock outfit Collections of Colonies of Bees (members from that group play on the album). Even if we don't care for the outdoors, most of us occasionally want to escape our lives, be alone with our thoughts, and see if we can tap into something true. The narrator takes in what's around him, mixing those thoughts with memories of where he's been. ii Sticker Sheet. i,i Album + ii Monogram. Sometimes the lines have a startling specificity ("Third and Lake it burnt away, the hallway/ Was where we learned to celebrate," on "Holocene") and sometimes they contain words that seem to function more as sound ("fide" or "fane" on "Perth"). Peace Patch w/Earth. The northern hemisphere’s autumn marked Bon Iver’s most expansive, joyful and generous album yet. The song titles reference actual places ("Calgary") and places that sound real, but aren't ("Hinnom, TX", "Michicant"); they're less about geography and more about putting a name to a state of mind that mixes clarity and surrealism. Buy Now from $60.00. Instead of something that scans as "folk," the music here is more like rustic chamber pop with an experimental edge that makes careful use of arrangement and dynamics. i,i Album + ii Square + Pin Pack. Throughout, there's a strong sense of an observer taking things in and processing confusing images, trying to figure out what can be learned. The song draws a line in the sand for anyone with a deep investment in cool, and Vernon stands behind it with confidence. By continuing past this page, you agree to our terms of use. If you've spent any time in the vicinity of a radio tuned to light rock, you hear the keyboard tone that opens the song and you think Lionel Richie, Richard Marx, and "No One Is to Blame". Director: NABIL (NABIL.com) Producer: Jill Hammer Production Company: NE Direction Editor: Isaac Hagy DOP: Larkin Sieple boniver.org jagjaguwar.com He simultaneously evokes the grain and expression of soul music along with the mythological echoes of folk. Bon Iver is the second studio album from American indie folk band Bon Iver, released on June 17, 2011. Vernon posted Bon Iver's lyrics shortly after the album leaked last month, but they're not easy to parse-- the storytelling here is oblique. The Beach Boys have been the primary touchstone for layered vocals in indie music for years, but Vernon's timbre comes from somewhere else entirely. If you caught Vernon live after For Emma, you gradually saw him putting more and more emphasis on his band, moving Bon Iver from that solitary project into something that felt more like the work of a group.